supported by 5 fans who also own “On the Road to Burial”
Cinquième sortie de l'oracle du black metal Asthâghul et, allez savoir quelles vapeurs lui inspirent des univers aussi dantesques (certainement pas celles du laurier en tout cas), rien ne l'arrête quand il s'agit de susciter toujours plus de peur et de fascination. Kantele, piano et violons sont réunis avec un black metal psychédélique dans Eternity Of Shaog pour alimenter, dans l'esprit de l'album précédent, une symphonie toxique, dans le but de nous faire franchir des passages spirituels. Jordan Vauvert
supported by 5 fans who also own “On the Road to Burial”
These two players seem iconoclast’s within the atmospheric occult field. This is a good record, unique in kind. After reading their epitome, I am filled with thoughts on victimization. Is this subject verboten? It would seem so within common, modern parlance. J Jeff Richardson
supported by 4 fans who also own “On the Road to Burial”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
supported by 4 fans who also own “On the Road to Burial”
Striking and hypnotic, listening through Geister is a rugged and immense journey. The album is brimming with ceremonial darkness from the moment it starts. The intensity of each track is bookended with ritual, and this immersive factor keeps me utterly entranced by the story being told. Geister still feels frigid and dangerous, and I end up captivated every time I listen. Septembre